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ISSN: 2690-5752

Journal of Anthropological and Archaeological Sciences

Research Article(ISSN: 2690-5752)

Butchery, Art or Rituals Volume 3 - Issue 3

Yolanda Fernández-Jalvo1* and Peter Andrews2

  • 1Museo Nacional de Ciencias Naturales (CSIC), Jose Gutiérrez Abascal, Madrid, Spain
  • 2The Natural History Museum. Cromwell Road, London, UK

Received: November 05, 2020   Published: January 18, 2021

Corresponding author:Yolanda Fernández-Jalvo, Museo Nacional de Ciencias Naturales (CSIC), Jose Gutiérrez Abascal, Madrid, Spain

DOI: 10.32474/JAAS.2021.03.000163


Abstract PDF


Evidence and traces recorded on fossil bones, directly or indirectly produced by hominins, can shed light on multiple issues of importance in human evolution. For example, fossil bones bearing cut marks may indicate the presence of hominins despite the absence of hominin fossils. Moreover, cut marks on fossil bones are associated with the use of stones or any hard material for tool-making and preparation and transformation of skeletal elements to have a secondary use by humans. Therefore, cut marks are indicative of technological innovations in human evolution, evolution of their brains and their behaviors, including the beginnings of artistic expression. Correct interpretation of these innovative actions and distinction from butchery needs special attention, particularly in a cannibalistic context given the debate, complexity and meaning that this practice has. This paper focuses on two aspects that have special relevance in human evolution: i) the use of stone tools (cut marking) and implications of cut marks for exploring human behavior as a potential indicator of artistic decoration, funerary treatments vs. butchery, ii) the significance of transforming specific anatomical elements, the skulls, to become ritual artefacts vs. useful accessories. These aspects have had special significance in the ongoing debate about evolutionary trends in the human brain and acquirement of modern human behaviors and mentality, including art. This paper takes a special case study of an Upper Paleolithic site, Gough’s Cave, (UK). This paper reinforces the importance of taphonomic identifications in their contexts, rather than concluding based on individual specimens or individual marks.

Keywords:Cannibalism; cut-marks; human behaviors; art; skull caps


Cut marks on fossil bones made by stone tools are not only direct signs of hominin involvement, but also an indication of the skill and complexity of the hominin brain to control intentional actions and to create a useful shape and edge from a block of stone [1-3]. The use of particular types of raw material in tool manufacture, and the search for a specific raw material not immediately at hand, not only indicates cognizance of functionality, but also of durability and an awareness of time. Technological innovation in producing different shapes (simple and retouched flakes or bifaces) is a result of functionality, but it is also an indication of hominin culture and social transmission [4,5].
Since the 1980’s, the identification of cut marks has been the focus of debate since several authors [5-8] observed strong mimicking traits between trampling marks and cut marks. The complexity of identifying cut-marks has further been questioned by Shale et al. [9] who proposed that crocodile tooth marks may also mimic cutting and trampling marks. Domínguez-Rodrigo and Baquedano [10] responded to Shale et al. [9] reinforcing the contextual settings of both the fossil assemblage and the site formation to reliably interpret bone surface modifications (BSM) rather than basing conclusions on individual specimens or individual marks. In this sense, different motions when cutting (i.e. incisions, sawing, scraping), different inclination (hand supination) of the stone tool edge cutting the bone surface, as well as different shapes of the stone tool edge, produce different diagnostic traits in cut marks [11-15]. The resolution of this issue is especially crucial in relation to purported cut marks found in several African fossil sites that indicate a level of cognitive ability to some authors [16,17] that other researchers argue that had not yet been acquired [18, 19]. This debate is ongoing and has highlighted problems relating to the confidence in identifying cut marks [20-23]. The use of Deep Learning in Artificial Intelligence opens a new research area to accurately identify cut marks, especially in critical periods when humans started to use stone tools [24].
Lately, cut marks on bones have been proposed to be not only a result of butchery and domestic basic activities on faunal remains, but they may be interpreted as artistic expression [25]. In the same way that cut marks for butchery may have complex shapes due to the complexity of the cutting edge of the lithic tool [13-15,26], this may also be the case for decorative marks. A test case for this subject is Gough’s Cave (Somerset, UK) that may be considered as a good example of alternative interpretations of cut marked remains, as cannibalistic feeding or as an early manifestation of art, and so, a ritual site.
Cut marks on a human radius from Gough’s Cave have recently been considered to be the result of artistic decoration [25]. These cuts have a peculiar shape and distribution on the bone surface, and this peculiarity has been taphonomically studied by Andrews and Fernández-Jalvo [26] and Fernández-Jalvo and Andrews [21] concluding that these marks agree with butchery meat processing in a dietary/gastronomic cannibalistic context. In addition, Gough’s Cave has also yielded complete human calvarias that have been considered to be ceremonial skull cups. The presence of complete calvarias has been frequently interpreted to prove rituals in Paleolithic sites [27-29]. In the case of Gough’s Cave, the skulls have reinforced to some authors [25,30] the idea of decorative intentionality of Paleolithic humans that visited the site 14,700 years ago. However, if the cut marks on the human radius are shown to be the result of dietary cannibalistic consumption, then this would, by implication, not support a spiritual or special treatment interpretation for human remains at the site. Here the cut marks on the Gough’s Cave human radius and the meaning of skull caps are revised in order to re-assess these issues.

Cannibalistic contexts and types of cannibalism

Cannibalism has been considered a taboo subject in modern societies, and this may also influence our view and interpretation of prehistoric cannibalism. Cannibalism has been described in sites that yielded different species of hominins, and in fact, many species of genus Homo record cannibalism.

Dietary cannibalism was first described by Villa et al. [31] based on the Neolithic human remains found in Fontbrégua (France). The authors set up the basis of bone surface taphonomic features, spatial distribution traits and contexts to identify dietary cannibalism and to distinguish it from ritual or survival cannibalism. Later studies by White [32], Turner and Turner [33], Fernández-Jalvo et al. [34,35], Defleur et al. [36], and Degusta [37] have added traits that characterize both paleoanthropological and modern anthropological cases of dietary cannibalism (re-named as gastronomic cannibalism by White, 1992). Basically dietary cannibalism is characterized by:

i. Similar butchering techniques in human and animal remains in an assemblage and therefore the same types of cut, chop, sawing and scraping marks are identified in both animals and humans, always considering anatomical differences between robust large mammals compared to smaller human skeletons.
ii. similar patterns of long bone breakage to facilitate marrow extraction;
iii. identical patterns of post-processing discard of human and animal remains;
iv. evidence of cooking; if present, such evidence should indicate comparable treatment of human and animal remains. Traits of surface modifications and contexts of the different types of cannibalism are displayed in Table 1.

Villa et al. [31] also noted that the presence of cut marks on human remains may not be an exclusive indication for cannibalism and they could be associated with secondary burials. This includes traces of funerary rites involving the handling of corpses without consumption of human tissues and includes dismemberment and defleshing of the body. However, bone breakage for marrow extraction and the mode of bone disposal and indication of food discard serve to set funerary apart from dietary cannibalism.
Survival cannibalism has hunger as a motivation and is a response to protein shortages, with scarce or absent faunal remains (Table 1). Several cases of this type of cannibalism have been described in recent times from well-known historical catastrophes, such as the wreck of the frigate Méduse in 1816 or the Andean air crash in 1972. Prehistoric survival cannibalism has been cited by Rosas et al. [38] in the Spanish site of El Sidrón, apparently preceded by episodes of developmental stress and malnutrition combined with rarity of faunal remains (Table 1 and Figure 1).
The earliest known ritual cannibalism based on religious beliefs was the Aztec’s pre-Columbian religions, described and figured in codices of the 16th century that display domestic activities and scenes of cannibalism [39-41]. Whether cannibals used religious beliefs as a way to get an easy meal is a subject to be studied [41]. Taphonomic studies of some cases of prehistoric cannibalism, such as the Anasazi at Mancos [32] and Los Pueblos of Arizona [33], have shown indications of dietary cannibalism. Furthermore, Turner and Turner [33] found that these groups sharpened their teeth to frighten and threaten their neighbors, perhaps a further indication of their cannibalistic traditions. A better distinction between ritual mortuary practices and victims discarded as food remains has been shown by Degusta [37] at Fiji. This author showed clear differences between consumed individuals mixed with animals by Fijians (Navatu midden), and mortuary practices (Navatu burials) where the buried dead showed few signs of consumption during rituals (Table 1): they were not as damaged as cannibalized individuals, and animal remains were not mixed with the buried humans. Human remains from prehistoric sites such as Fontbrégua, Gran Dolina-TD6 and El Mirador -Atapuerca and Gough’s Cave have all been revised [25, 42-44] from an interpretation as dietary/ gastronomic cannibalism to an explanation highlighting a more ritualistic or funerary connotation.

Table 1: The identification of human cannibalism and the purpose of such action is based on taphonomic features recorded on the bone surfaces and the context of the sites. These traits indicate a dietary or survival purpose, other than ritual practices. √= PRESENT & FREQUENT; #=Reduced presence or almost absent; Ø =absent.


One of the most extensive Magdalenian human bone assemblages comes from Gough’s Cave, a limestone cave set in Cheddar Gorge (Somerset, UK). This bone assemblage was considered to be result of cannibalistic activities during the Upper Palaeolithic (14,700 cal BP according to Jacobi and Highman, 2009) where Homo sapiens fossil bones record abundant tool-induced modifications and intense breakage [26]. Previous analyses of these fossils were undertaken in the 1980’s when trampling marks were seen to mimic cut marks, and the cut marks were interpreted with caution [45]. The latter author considered that most of the cuts were in fact scratches largely due to natural damage (trampling) except for one fossil (an adult mandible) with cut marks in the concave interior (lingual aspect) of the symphysis. In a later paper, [46] reconsidered that surface scratches on the Gough’s bones were made by stone tools to dismember corpses...BUT... she did not support dietary/gastronomic cannibalism: “...if cannibalism is implied, its practice could not have been a ... necessity because plenty of food seems to have been available at the site throughout the period of occupation” [45]. No indication of artistic engraving on human remains was ever described by Cook. These marks were later interpreted by Andrews and Fernández-Jalvo [26] as result of tongue removal, highly similar to other cuts found on the symphysis of a horse mandible at this site and result of nutritional cannibalism.

In addition, the skulls (and faces) of Gough’s Cave where described to “ have a higher intensity of cut-marks than are present on non-human animals, but contrasting with this, two of the human skulls are almost complete” “These contradictory results (strong damage and completeness) may suggest that the skulls were carefully treated to preserve them complete, in contrast to the rest of the skeleton and other animals at the site “, something ignored by Bello et al. [25].

Materials and Methods

The entire Gough’s Cave collection of both humans and large mammals housed at the Natural History Museum was analyzed by Andrews and Fernández-Jalvo [26], the fossil distribution plans and pictures taken from systematic excavations at the site were studied, and the site as it is nowadays adapted to touristic tours was visited. We could also add observations from controlled experiments between 1998 and 2000 to reproduce some characteristic taphonomic traits made with tools of different raw materials on long bones bearing little meat, and human chewing as well. All our results were described and published in Andrews and Fernández- Jalvo [26]. One of us (YFJ) previously studied the fossil collection from Gran Dolina TD6-Atapuerca [35,47] the oldest [48] pure gastronomic cannibalistic case with which to compare traits with the Gough’s Cave fossil assemblage.

Considering only the type of cut marks, Fernández-Jalvo and Andrews [21] analyzed the peculiar cuts found on the human radius of Gough’s Cave (M54074) and compared them to other atypical cuts from butchery kill sites and the cannibalistic case from TD6 at Atapuerca. Microscopic images at high magnification, resolution and depth of field are an important and highly useful tool in the study of taphonomic modifications. Optical microscopy is improving in resolution and magnification, as well as through the application of computer programs to treat serial images taken from different heights to improve depth of field. Some of these microscopes use the same principles as confocal microscopy using natural white light. Confocal technology with natural light of 3D microscope, more specifically Leica DCM8, is built based on the same patent equipment as Alicona. The same 3D microscopic equipment to validate descriptions given by Bello et al. [25] in their analysis of cut marks. Nonetheless, the use of computer-generated serial images to obtain a single image can lead to shading that natural light creates when the modification is deep and inclined. This may lead to identifications of profiles that are not real, hiding significant details and wrongly interpreting the nature of the cut.
The principles of electron microscopy further augment the capacity of optical microscopes in observation and analyses of samples, greatly improving magnification, resolution and depth of field. Scanning electron microscopy (SEM) combines imaging with composition detectors of electrons emitted by the sample when struck by an electron beam. The main image detectors are secondary electrons (SE-SEM) that observe the topography of the specimen. Backscattered electron mode (BSE-SEM) gives a flatter image, but it provides important information on the density and composition of the sample; high mineral content (brighter) versus high organic content (darker).

Discussion: Dietary vs. ritual cannibalism in Gough’s cave

The Gough’s Cave human radius (M54074): decoration?

Elaborate cuts are present on a human radius (M54074) from Gough’s Cave (Figure 1a and 1b). They were analyzed in detail by Andrews and Fernández-Jalvo [26] who recognized a peculiar distribution and shape of these cut marks in an anatomical area that did not have any muscle attachment and bear little meat. The authors concluded that each group of marks were made by a single stroke incising the tool on the bone surface from different angles as determined by the user’s hand supination (Figs. 1c, 1d); we concluded that the multiple marks were the result of progressive filleting of flesh along the shaft. These same marks, however, suggested to Bello et al. [25] that each individual mark was a mixed combination of several actions (i.e. scraping, sawing and single strokes as shown in their publication). The resulting line of zig-zag cuts on the human radius were compared by Bello et al. [25] to the marks on decorated bones from Magdalenian sites, concluding that the Gough’s Cave radius is the oldest artistic manifestation on a human bone.

We have re-analyzed these cuts (Figure 1a) to find any possible mistakes in our previous interpretations. The characteristic shape of individual cuts can be distinguished in the row of cuts of M54074. In order to facilitate recognition of the shape of each stroke and the superposition of marks, we have outlined each movement in Figure 1b Each movement with a different angle and hand supination is outlined in red or in blue. The red marks precede the blue cuts which are superimposed on them. The black arrows point to a distinct trait that repeats on the left side of the cuts outlined in ‘blue’. This lateral salient has also been observed on fossil bones from Atapuerca (Trinchera Norte site, Middle Pleistocene, Figure 1c and on experimental cuts made by one of us (YFJ) during butchery. The experimental cuts (Figures 1d and 1e) correspond to individual cut marks (single movements) made when filleting a leg of lamb (a tibia) using an unretouched flint flake. The experiment was part of an experimental protocol aimed at distinguishing cut marks made by different raw materials of tool for a study published by Fernández-Jalvo et al. [35] that predates the work we did on the Gough’s Cave bones. Notes recorded during the experiment mentioned that the experimenter inclined the tool incising the edge almost horizontally relative to the bone surface, to better remove the meat. These cuts recorded the lateral salient irregularities of the tool.

The zig-zag pattern is related to the relative position of the cut-maker’s hand supination and the orientation of the long bone (distal end forward for the blue marks or downwards for the red marks), so that the apparent, overall zig-zag shape is actually the mirror image of each pair of cuts (bright green square in Figure 1b). This mirror pattern can be recognized in the subsequent cuts along the apparent zig-zag edge of the human radius M54074. The result of reiterative cutting movements along the shaft when filleting, as shown in Fig. 1b, changing the orientation of the bone respect to the cut-maker, caused the apparent zig-zag shape. The cuts, both those outlined in blue and in red, record a characteristic repetitive pattern of the tool edges, although sometimes with slight differences (the cuts outlined in red do not record the feature pointed with a black arrow in Figure 1b). These differences could probably be caused by the cut-maker’s handedness and hand supination. We could also speculate that the lack of records of some irregularities of the stone tool edge could be caused if the radius was still attached to the arm when filleting and the movement could not be identical when the distal end was forward or downward.

Figure 1: a) Composite scanning electron micrographs of the human radius M54074 of Gough’s Cave. b) Black arrows show repetition of a pattern of scratches, associated with cuts that are outlined here in blue or red, showing similarities between them. Two mirrored marks, outlined in blue and red, are framed inside the green square. Such repetition is linked to irregularities in the stone tool edge and hand supination. The white arrow points to a set of cut-marks previous to the red and blue outlined cuts discussed here. c) Cut mark on a fossil rib from Atapuerca (ATA’91- TN6, E24 n.4) apparently done in a single movement. d) and e) Experimental cuts made by one of us (YFJ) with a flint stone tool done in a single movement when removing the meat from a lamb tibia. Notes taken from the experiment indicates the experimenter inclined the tool almost horizontally to the bone surface. e). Scanning electron micrograph of a rib from TD6 with a set of three identical cuts (ATD6’95, I18, n.58) from the Homo antecessor unit (Aurora Stratum). The three marks have strong similarities to each other (top right drop is glue during fossil preparation, slightly covering the cut marks) result of handedness, hand-supination, irregularity of the stone tool edge and moving the bone while filleting.


The experimental cuts on the butchered lamb tibia (Figures 1d and 1e) in the study published by Fernández-Jalvo et al. [35] reproduce the shapes seen on the human radius from Gough’s Cave (Figure 1b, outlined in blue) that are interpreted by Bello et al. [25] as “scraping fan-shape” with a tool retouched on one side by single or multiple movements. The striations outlined in red (Figure 1b) have been interpreted by Bello et al.[25] as separate “to-and-fro incisions”. In our opinion, the highly exhaustive and detailed 3D microscopic inspection by Bello et al. [25] of each single individual striation inside each of these cuts, has distorted the overall interpretation of the actual cut shapes (Figure 1b).
Another case shown in Figure 1f displays three identical cut-marks with distinct shapes that record stone tool edge irregularities. Each cut was made in a single movement repeated three times. These cut marks are identical to each other and were made with identical hand supination by the cut- maker and the bone orientation did not change when filleting [35,49].
A highly similar cut mark produced during butchery by one of us (YFJ) has been observed using a similar equipment to that used by Bello et al. [25] - a natural light confocal high-resolution 3D microscope (Leica DCM8). Comparing the striations made by us when butchering (Figures1d, 1e and 2), and the cuts of the human radius (M54074) analyzed in their Supplementary Information (see engraving 1 and 65 Supplementary Information Bello et al., [25], the profile shapes of the cut marks are almost identical. The profile of the cut obtained in the confocal high-resolution equipment, however, is not real (Figure 2), for the lateral wall of the cut appears vertical whereas in fact it slopes inwards. The shading of the incident natural light on the sample distorts the 3D image of Bello’s analysis and conceals traits that are characteristic and typical of hand supination (Figure 2, broken red line) observed using the scanning electron microscope (Figure1).

Figure 2: Image observed and analyzed with confocal technology with natural light of 3D Leica DCM8 (similar technique as Alicona). Top: profile of the cut mark in blue and correction of the shape of the cut in red. Bottom left: image of the bone surface showing the artefact caused by shades that natural light creates which are not well interpreted by the image treatment computer program. Bottom right: Scanning electron microscope microphotograph showing the incision made in a single movement during lamb butchery by one of us (YFJ).


The human radius M54074 of Gough’s Cave shows other cuts on its surface that are clear slicing cut marks identified as butchery by Andrews and Fernández-Jalvo [26] and by Bello et al. [25]as well. These butchery cuts (Figure 1b, white arrow) predate some of the zig-zag incisions (Figure 1b, white arrow) considered by Bello et al., (2017) as decoration, while Andrews and Fernández-Jalvo [26] considered them as filleting marks. In addition, the human radius M54074 from Gough’s Cave was intensively broken to extract the marrow after cutting. Intense breakage was also mentioned by Bello et al. [25], and the question that rises is why decorate a bone in between purely gastronomic activities shown by butchery cut marks and marrow extraction? Besides cut marks and marrow extraction, some Gough’s human bones were intensely chewed by humans for nutrient exploitation [26,30]. Similarly, in Atapuerca TD6 and Mirador, chewing marks of other humans have also been observed in the bones of the victims and animal bones [49-51] indicating, initially, at least, pure gastronomic purposes.
The breakage of the human radius to obtain the marrow (a purely gastronomic act) is not observed on the decorated animal bones from Gough’s Cave which were handled and used as indicated by the shiny patina that cover these specimens. The decorative bones from Gough’s Cave include engraving and “bâtons percés” on animal bones, but none of these decorated bones have the complexity of actions as described on the human radius by Bello et al. [25]. On the contrary, they have deep incisions and piercing controlled by the cut-maker (Figure 2 in Bello et al., [25]) and are not as superficial as those observed on the human radius.

The skull cups from Gough’s Cave

The purposeful component of the cannibalistic ritual at the site has been linked to a complex mortuary ritual context reinforced by the presence of complete skull calvaria which were interpreted as “skull cups” indicating ritual purposes [30]. Skull caps have been found in sites where cannibalism was practiced by Homo sapiens, such as Herxheim [52], L’Adouste [53], Mirador [50] or Fiji [37] where taphonomic traits indicated different types of cannibalism related to meat consumption. Dietary cannibalism defined by Villa et al., [31] at Fontbrégua yielded relatively complete skulls that were suggested to be a kind of special treatment. Later, other authors suggested that the isolated presence of these so-called “skull cups” in Fontbrégua showed that the Fontbrégua assemblage could be interpreted as ritual cannibalism [42]. This ritual motivation at Fontbrégua, suggested by Bahn and other authors [53], is contrary to the view of Villa et al. [54] who responded to Bahn that both humans and animals were processed identically and, therefore, if any ritual treatment is considered for human bones, animal bones then would be expected to have had similar ritual treatments. This interpretation was also mentioned in the Gough’s Cave paper, where together with complete calvaria, animals and humans are mixed together as discard food and have identical butchery techniques to extract the skin, the meat, the viscera and the marrow [26].
An alternative hypothesis is based on the natural breakage of human skulls, that preserves the calvaria complete (Figure 3). Homo sapiens could see the practical bowl-like shape for domestic use and perhaps tried to imitate natural skull breakage processing the skulls to preserve them complete. This needed special skill, delicate and careful treatment to prevent the calvaria accidentally breaking. If preparation of skulls was not for manufacture of a temporary utility but were made as a ritual treatment, it is hard to explain why the skulls were abandoned with other body parts of these corpses and mixed with butchered animal bones representing food refuse.

Figure 3: Different human calvaria naturally broken as a bowl (top and middle raws) compared to cannibalistic contexts where Homo sapiens was involved (bottom raw). Top: Homo erectus (Pekin Man, ©Wikipedia) Zhoukoudien skull calvaria. Middle raw: Neanderthal skulls from Engis (©Wikipedia) and Spy (Belgium, Courtesy of P.Semal) and Neander (Germany, ©Wikipedia). Bottom raw: skulls from Frontbrégua (France, Courtesy of P.Villa), Gough’s Cave (UK, © Natural History Museum) and El Mirador-Atapuerca (Spain, Courtesy of J.M.Vergés) all of them cannibalized by Homo sapiens.


A recent paper by Marginedas et al. [44] found standardized patterns of scalp removal with repetitive pattern and delicate preparation on these calvaria. This pattern may reflect the preparation of skulls to preserve them complete. The procedure to remove skin, scalp and attached muscles are thus, not necessarily a ritual treatment, but detachment of muscle insertions reflecting anatomical dissection.
The presence of these complete calvaria in Gough’s Cave is then contradictory to the idea of the site as a cannibalistic context, with a high intensity of breakage and nutrient extraction in both postcranial and cranial anatomical elements. Similar intensity of butchery and breakage of hominin and animal skeletons noted in Gough’s Cave has also been observed in Atapuerca-Gran Dolina TD6 [35], with the only exception of complete calvaria at Gough’s Cave. None of the skull fragments from Atapuerca-TD6 are larger than few centimeters. Especially remarkable in the cranial skeletons of Gough’s Cave and Atapuerca-TD6 are the faces, as part of the most recognizable cranial skeleton of the human anatomy. Faces appear in Gough’s Cave as intensively broken, with an identical configuration, like those found in TD6 (Figure 4) as a result of similar intense breakage and meat removal [55].

Figure 4: Faces of Gough’s Cave (top) compared to faces of Atapuerca TD6 (bottom). Inconsistent with the apparent care preparing skull cups is the intense breakage observed on the faces in Gough’s Cave.


Final Remarks

Mimicking cut marks from different processes are frequent in taphonomy and the case of the human radius of Gough’s Cave is a good example. Cut marks on the human radius from this site have highly similar, if not identical shapes, to those we have experimentally produced when meat was removed using individual movements due to hand supination and irregularities of the tool edge.
There are marked differences between the cut marks used for bone decoration as found in other decorated specimens from Gough’s Cave site, such as ‘battons percés’ which are characterized by individual and deep cuts, and those on the human radius. Similarities found by Bello et al., [25] with Magdalenian decorative bones (based on an apparent overall zig-zag aspect of the cuts [56]) are the result of mimicking marks from different processes, i.e. equifinality, so frequent in taphonomy.
The unusual shape of cuts on the human radius results from the confluence of several factors, such as the type of bone (a radius which bears less meat than other anatomical elements), lateral irregularities of the edge shape of the tool (bearing salient irregularities that marked the bone when cutting), and the cutmaker, who inclined the stone tool, maybe due to lack of skill, and did not make a straight cut. Given that each set of striations outlined in Figure 1b is superimposed on others, both groups of marks should be equally the result of subsequent cutting movements during a butchery process, using the same tool but with different hand supination by the cut-maker, maybe changing the orientation of the bone respect to the butcher. The overall zig-zag shape of the cuts is actually the result of handedness, hand-supination, irregularity of the stone tool edge and moving the bone while filleting.
All these indications suggest that the complex cuts repeated along the length of the Gough’s human radius were the result of butchery and filleting when removing meat, without decorative intention.
The other factor considered to be the outcome of ritual treatment is the complete calvaria named as skull cups. Skull cups appear in cannibalistic cases practiced by Homo sapiens. Whether these are indication of rituals or just a domestic and useful modification of the skull, imitating natural breakage of skulls to obtain a recipient or bowl shape, should be investigated in depth. Most cases where these skull cups have been found are in a context of intense nutritional exploitation of human bodies that, with the exception of the skulls, have all traits of dietary/gastronomic cannibalism. Notably, the general context of Gough’s Cave is one of intense nutritional exploitation, very similar to Gran Dolina-TD6. Both of them are characterized by intense and identical breakage, even of human faces, comparable treatment of humans and animals to obtain nutrients, and the mixing of the human remains with animal bones as food discard. Apparent ritualistic treatment of the skulls could more likely be due to transformation of the shape of the skull to obtain a bowl shape for practical domestic use rather than ritual motivations.
The most parsimonious hypothesis for Gough’s Cave then is that the human radius, like the rest of the human skeletal elements, including skulls and faces, were intensively butchered in cannibalistic acts and deposited in a context in which human bones were with other animals intensively butchered


We are grateful to the technicians of the Electron Microscopy Unit of the Natural History Museum 335 and the Laboratory of Non-destructive Techniques of the Museo Nacional de Ciencias Naturales for their professional work. We thank Liora K. Horwitz for comments on the manuscript and to Crystal Jones for inviting the senior author to contribute to the Journal of Anthropological and Archaeological Sciences. Research described in this paper has been partially funded by the Spanish National Program of Research and Competitivity (project CGL2016-79334-P).


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